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#1161 | Link |
Registered User
Join Date: Aug 2021
Location: Canada
Posts: 550
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There is no trim at all for this movie and the cmv4.0 metadata is only for the first two frames (older MA WEB-DLs have this weird authoring).
So yes, I generate cmv4.0 DV with original scene cuts when the original is only cmv2.9 without trims. I even did a trim for this movie. |
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#1162 | Link |
Registered User
Join Date: Feb 2025
Posts: 16
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Yeah, I saw the P5 to P8 RPU on your Google drive (I think it's from iTunes).
When I plotted it I got L1 and L2 but no L3. When I plotted the Movies Anywhere RPU I get the L3 but it just has MIN going straight across at 2048, MAX at 1641, and AVG at 1016. So I figured it's probably best to use your "The Prestige (2006)_BD_Resolve.bin" but was wondering what's the deal with that L3 plot? Last edited by Kontrarian; 22nd March 2025 at 10:08. |
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#1164 | Link |
Registered User
Join Date: Feb 2025
Posts: 16
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Woah, I feel like an idiot... I didn't even pay attention to the X axis at all and just assumed it was the entire films timeline.
Which one of your files do you recommend we use, The Prestige (2006)_BD_Resolve.bin or The.Prestige.2006.BD-US.Generated.OSC.bin? https://slow.pics/c/1ChKbXgp Last edited by Kontrarian; 25th March 2025 at 12:57. |
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#1165 | Link |
Registered User
Join Date: Jan 2025
Posts: 5
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@Kuler087
6-2 measure brightness with cropping produces a prores video much faster than 8-2-2. Is the 6-2 prores video sufficient to generate the DV metadata in Resolve or would using the proper 8-2-2 video produce more accurate DV metadata in Resolve? EDIT: I was mistaken, they take the same time. I could have sworn 6-2 produced a prores faster previously... Last edited by coopzr; 3rd April 2025 at 11:38. |
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#1167 | Link | |
Registered User
Join Date: Aug 2021
Location: Canada
Posts: 550
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Quote:
The.Prestige.2006 BD Generated OSC T3 (MANUAL TRIMS) |
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Tags |
batch scripts, dolby vision processing, dovi_scripts |
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