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30th December 2003, 01:48 | #21 | Link |
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If you CHECK "upper field first" in the CCE, it just shift one line up for each frame(or field). That means that the contents of your encoded result is different from your source.
Also the encoded result is alwasy upper field first, whether you check it or not. So DO NOT CHECK the "upper filed first" or SET "OFFSET" to "0"(Version 2.67) in CCE. After the encoding ends: 1. For interlace source, process the resulted M2V file with Easy Changer to get "bottom field up"; 2. For progressive source, do nothing. |
11th January 2004, 16:46 | #22 | Link | ||
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8th April 2004, 17:12 | #23 | Link | |
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15th September 2004, 10:27 | #26 | Link | |
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I have just upgraded my CCE Basic to v2.69.01.10 and noticed a change that relates to questions 10 and 11 of the FAQ. I don't know exactly when this was implemented though as I can't see it in the release notes.
An 'Output top field first stream' option has been added to the advanced settings and is in addition to the 'Offset line' that is already discussed in Q10+Q11 of the FAQ. The FAQ currently states: Quote:
Of course, you can still use the old methods to change the DV footage to TFF: - Set the offset line to 1 and tick the 'Output top field first stream' option. or - Use the DoubleWave.SelectOdd trick in AviSynth plus an offset line of 0 and the 'Output top field first stream' option ticked. However, we now have the choice of leaving our footage BFF if we wish and that's proably what I'll do from now on. IIRC, I only changed my footage to TFF (using the DoubleWeave.SelectOdd method) for the benefit of CCE because it insisted on setting the TFF flag. I never was keen on having something alter the MPEG afterwards to try to retain BFF (e.g. ReStream). Logiqx |
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20th January 2008, 09:58 | #29 | Link |
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CCE and ConvertYUY2
Hi,
i have been using DGIndex/DGdecode with the VFAPI plugin frameserving into CCE SP 2.70 . i cant really figure out reading through the forum if i must enable ConvertYUY2 in the avs script. currently i am not . my source is an interlaced NTSC material and in dgindex i use Tv scale whereases in cce i use luminance 0-255 and streaming through STB it look good on a TV screen. using luminance 16-235 in CCE shows a too bright output. so i cant figure it out do i need to add the convertYUY2 in the avs script or not. Thanks. |
9th March 2010, 07:59 | #30 | Link | |
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10th March 2010, 22:23 | #31 | Link |
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In CCE 2.50/2.66 the option "Upper Field First" is used to 'revert the current field dominance'. So if you have a TFF you would uncheck that option to preserve the Top field dominance. For DV sources (they are generally Bottom Field) you would check the "Upper field first" option to change the field dominance to TFF.
Starting from CCE 2.67/2.70/SP2 there are 2 parameters: 'Output Top Field First' and 'Offset Line'. The first parameter is used to set the field dominance of the output stream. This flags the output mpeg stream and tells how to reproduce it. The Offset Line tells the encoder the field of the source stream. If the value is 0, then it keeps the current field dominance of the source. If the Offset value is 1 it will switch the field dominance of the source. If your source is TFF: - Check "Output Top Field First" and set Offset to 0 (for a TFF output) - Uncheck "Output Top Field First" and set Offset to 1 (for a BFF output) If your source is BFF: - Uncheck "Output Top Field First" and set Offset to 0 (for a BFF output) - Check "Output Top Field First" and set Offset to 1 (for a TFF output) |
28th February 2011, 18:25 | #32 | Link |
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Hi,
I hope someone can advise me on this... I have been able to successfully encode an uncompressed AVI movie to mpg2 using CCE SP and I'm totally happy with the outcome apart from one thing which I don't understand. During scenes in the movie which I have, for instance.. wooden fences with lots of lines on them, or buildings with intricate carved details in the design or windows with bars on them... I get a kind of crazy flicker effect going on on those particular parts of the image. This weird effect is most commonly seen on people wearing "black and white striped shirts" I think. You know how they create a kind of crazy flickering effect on the stripes? Well, what causes this, does it have a name and what settings can I play with in CCE to reduce this weird effect? Thanks alot. P.S - I'm encoding progressive AVI to progressive mpg2 - a high VBR like (max 9000/ avg 8500/min 2000) and 2 pass. All filters were disabled. Note: This crazy effect is present slightly on the original source dvd video but not as bad or in as many places as the mpg2 CCE produced for me. |
26th February 2012, 13:08 | #33 | Link | |
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Hi Guys.
Quick question about Q10 in the FAQ - the whole UFF thing. Does this still apply to CCE-SP3? (latest build on CinemaCraft servers) Source files are UFF (I ask as the manual seems to say different, and I have been having problems with this lately, as we normally use Progressive source files) Quote:
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26th February 2012, 13:22 | #34 | Link |
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The TFF/BFF options in SP3 works exactly as SP 2.67/2.70/SP2.
If your source is TFF, check "Output Top Field first" and set the Offset line to 0. The output will be TFF. If the source is progressive, you also need to check "Progressive" in the Window->Picture->Picture Type. |
26th February 2012, 14:09 | #35 | Link | |
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Thanks to all you guys for this essential guide, as well as the clarification above.
The word "Phew" comes to mind..... One more question on FAQ 7 - the "best" settings, particularly the number of passes in VBR. Why is the option for 9 pass there is it is not helping matters smewhere along the line? (just curious, really) EDIT. Re the original query on FAQ 10, might it not be a good idea to update the FAQ to contain this information? It definitely seems to say (as it currently stands) that for UFF source the flag needs to be unchecked. Quote:
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26th February 2012, 14:30 | #36 | Link |
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The FAQ refers to the versions < 2.67 (versions that doesn't have the Offset option but only the "Output TFF" checkbox).
About the multipass, I've seen that the quantization graph subtle changes for 5-6 passes. From 7 to 9 the graph stays pretty much the same. With modern PC (i7) SP3 can encode at more than 100fps (SP1/SP2 is even faster), so to stay on the safe side (even if it's insane) I prefer to encode at 9 pass (+analysis). There are other options anyway that can increase the perceived quality rather than high number of multipass (for example quantizer characteristics, the use of lowpass filter, the encoding type (still, normal, activity) and so on...) |
26th February 2012, 14:38 | #37 | Link | |
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Thanks for this, it really is appreciated. I also have been using 9-pass as I swear it makes a difference.
Back to the FAQ, there is still ambiguity there for me though. Here's the one that bothers me: Quote:
for a file with UFF source, I need UFF set to 0, yes?
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26th February 2012, 15:22 | #38 | Link |
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You need to pay more attention to the Offset setting.
Offset = 0 means "keep the current field dominance of the source file" Offset = 1 means "change the field dominance" The "Output TFF" doesn't change anything regarding the Field dominance, it only tells which flag the encoder should put inside the mpeg2. As a general rule: If your source is TFF: - Check "Output Top Field First" and set Offset to 0 (for a TFF output) - Uncheck "Output Top Field First" and set Offset to 1 (for a BFF output) If your source is BFF: - Uncheck "Output Top Field First" and set Offset to 0 (for a BFF output) - Check "Output Top Field First" and set Offset to 1 (for a TFF output) |
26th February 2012, 17:01 | #39 | Link |
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Thank you for the clarifications - it was all getting somewhat confusing there for a while.
It did not help that the source files were messed up by the client either - it was a right mess.
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12th June 2012, 18:54 | #40 | Link | |
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I've got another question I never was able to find an answer to and recently I found this interesting post here:
http://forum.doom9.org/showthread.ph...96#post1575896 TheSkiller wrote: Quote:
I'm wondering what to do when dealing with a progressive PAL film. I've usually encoded it using default CCE settings (so TFF) and then ran it through ReStream to set the progressive flags (CCE for some reason does not set them). So should I uncheck TFF and leave the BFF flag? Another CCE related question: I had to encode a movie that was shot with 1.37:1 AR and reframed to 16:9, apart from the opening titles that had to be left with original AR and pillarboxed. The problem is that after encoding, strange vertical artifacts (lines) appear at the border of the pillarbox and the actual image. It looks like this (a bit like sharpening artifacts): On the left side CCE, on the right side TMPEG. M2Vs decoded with dgindex (cpu=6 and IEEE ref iDCT) Any ideas what may be causing this? Last edited by Maxiuca; 12th June 2012 at 18:56. |
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