Quote:
Originally Posted by anton_foy
@Cary Knoop
Do it your way thats fine and yes I get a huge improvement. Now with the 10 bit Prores I get I can finally use the 3DLuts on it without introducing horrible banding and creeping noise I got with the old Avisynth with maximum 8 bit support.
The "shine" is like a glow, instead of just blurring the image loosing detail I overlay an expanded blur to shine over like a physical "pro mist" filter kind of. I still keep the detail. Just watch the clips if you are interested  https://we.tl/t-yOeb6Tolr4 |
The "non-processed" video is virtually pitch black and is 444, clearly this is not the straight out of camera clip.
Just take a second from the out of camera clip by for instance doing:
ffmpeg -i clip.mov -ss 10 -t 1 -c:v copy test.mov
This will take one second from the clip at the 10 second marker. Leaving -ss out will take the 1 second from the start.