trevlac
9th September 2005, 14:37
This is a more focused continuation of the info from the following thread:
http://forum.doom9.org/showthread.php?p=708308#post708308
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I don't know squat about mics and sound ... (maybe a little, but not much practical usage) ....
Info to share
There are loads of comments and advice "out there" regarding mics and sound. But the following link(s) and related articles I found to be very clear and direct. 1st is about shotgun mics, 2nd list of other articles about production sound.
http://www.equipmentemporium.com/selectshotgun.htm
http://www.equipmentemporium.com/Articles/Articles%20about%20Prod%20Sound.htm
Something I found interesting about my recent research into sound was that theReal mentioned the Sennheiser MKH416, the article link brings it up, and I also went to a production equipment rental place around here and that mic came up. It's really beyond what I want to spend (~$1000 i think), but really interesting that just a few makes/moddels get mentioned.
Having said that, there are other mics that are cheaper and also considered decent ... for their intended use. Read the articles.
Here is a comparison (with audio for your own listening) of the MKH416 vs the ME66. theReal mentioned the ME66 electric condensors. Its' probably $500.
http://www.dvinfo.net/articles/audio/tanaka2.php
Some Questions
1) Why would I trouble myself with a "field mixer"? I'd guess I want to check audio levels, and probably use headphones ... but I really don't need a mixer for that do I?
2) XLR - Let's be honest. Reduces noise, hum, interference, .... but my entire equipment chain is not going to be XLR. So we are really talking a converter for the mic and maybe cables ... my recorder will never be $XLR$. Should I worry about it? Should I suffer over cables?
3) Shock mounts, windsocks, blimps, boom polls, mic stands ... these just scream homemade to me ... even quick made and throw away for each shoot ... gym socks, duct tape, broom polls, spare chair, a tree ....
All comments welcome ....
http://forum.doom9.org/showthread.php?p=708308#post708308
-------------------------------------
I don't know squat about mics and sound ... (maybe a little, but not much practical usage) ....
Info to share
There are loads of comments and advice "out there" regarding mics and sound. But the following link(s) and related articles I found to be very clear and direct. 1st is about shotgun mics, 2nd list of other articles about production sound.
http://www.equipmentemporium.com/selectshotgun.htm
http://www.equipmentemporium.com/Articles/Articles%20about%20Prod%20Sound.htm
Something I found interesting about my recent research into sound was that theReal mentioned the Sennheiser MKH416, the article link brings it up, and I also went to a production equipment rental place around here and that mic came up. It's really beyond what I want to spend (~$1000 i think), but really interesting that just a few makes/moddels get mentioned.
Having said that, there are other mics that are cheaper and also considered decent ... for their intended use. Read the articles.
Here is a comparison (with audio for your own listening) of the MKH416 vs the ME66. theReal mentioned the ME66 electric condensors. Its' probably $500.
http://www.dvinfo.net/articles/audio/tanaka2.php
Some Questions
1) Why would I trouble myself with a "field mixer"? I'd guess I want to check audio levels, and probably use headphones ... but I really don't need a mixer for that do I?
2) XLR - Let's be honest. Reduces noise, hum, interference, .... but my entire equipment chain is not going to be XLR. So we are really talking a converter for the mic and maybe cables ... my recorder will never be $XLR$. Should I worry about it? Should I suffer over cables?
3) Shock mounts, windsocks, blimps, boom polls, mic stands ... these just scream homemade to me ... even quick made and throw away for each shoot ... gym socks, duct tape, broom polls, spare chair, a tree ....
All comments welcome ....