wmansir
30th April 2005, 19:00
This legislation recently became law in the US. Click here (http://www.publicknowledge.org/content/legislation/s167) for the full text.
The law has 4 major sections, #3 is the most interesting:
1. It makes using a camcorder in a theater illegal and specifies federal penalties. From what I have read this was already illegal in 24 states.
2. It dramatically increases the fines for distributing PRE-RELEASE material, to 3 years maximum, unless it was for commercial gain in which case it is 5 years max.
3. It EXEMPTS businesses and individuals from copyright violation for creating, selling and operating technology which allows a person to "make imperceptible" portions of a copyrighted work with the consent of the viewer. The exemption is void if a hard copy of the altered work is created. It also requires a disclaimer to be shown before the work to inform the viewers that the work is altered from the original.
4. It reauthorizes the National Film Preservation Board to preserve neglected films.
#1 and #2 were basically a compromise with the *AA in order to get the bill through Congress (which it did by a wide margin). The bill's target is the company ClearPlay, which was has been fighting legal battles with the MPAA over it's service which censors adult consent from DVDs during playback. This law clears them to continue to provide their service without the consent of the MPAA. The MPAA was looking to shut them down or barring that force additional licensing fees on them for the use of MPAA works.
A couple of caveats.
The obvious exclusion of hard copies means this bill does not address companies like CleanFlix, who would edit DVDs, destroy the originals, and then sell or rent the 'clean' DVDs. Also, the law is very specific about excluding the right to insert material into the work. It only covers removing material (muting, blanking out or skipping). And it only covers private viewings, but it does include transmissions to homes, not just local playback. So a device in the home censoring a broadcast is covered, but a network broadcasting a censored work without the consent of the copyright holder is not.
Now the real meat of the issue is the artist's "right" to control how his work is presented vs. the viewers ability to control what they want themselves (or their children) view.
The law has 4 major sections, #3 is the most interesting:
1. It makes using a camcorder in a theater illegal and specifies federal penalties. From what I have read this was already illegal in 24 states.
2. It dramatically increases the fines for distributing PRE-RELEASE material, to 3 years maximum, unless it was for commercial gain in which case it is 5 years max.
3. It EXEMPTS businesses and individuals from copyright violation for creating, selling and operating technology which allows a person to "make imperceptible" portions of a copyrighted work with the consent of the viewer. The exemption is void if a hard copy of the altered work is created. It also requires a disclaimer to be shown before the work to inform the viewers that the work is altered from the original.
4. It reauthorizes the National Film Preservation Board to preserve neglected films.
#1 and #2 were basically a compromise with the *AA in order to get the bill through Congress (which it did by a wide margin). The bill's target is the company ClearPlay, which was has been fighting legal battles with the MPAA over it's service which censors adult consent from DVDs during playback. This law clears them to continue to provide their service without the consent of the MPAA. The MPAA was looking to shut them down or barring that force additional licensing fees on them for the use of MPAA works.
A couple of caveats.
The obvious exclusion of hard copies means this bill does not address companies like CleanFlix, who would edit DVDs, destroy the originals, and then sell or rent the 'clean' DVDs. Also, the law is very specific about excluding the right to insert material into the work. It only covers removing material (muting, blanking out or skipping). And it only covers private viewings, but it does include transmissions to homes, not just local playback. So a device in the home censoring a broadcast is covered, but a network broadcasting a censored work without the consent of the copyright holder is not.
Now the real meat of the issue is the artist's "right" to control how his work is presented vs. the viewers ability to control what they want themselves (or their children) view.