aharden
14th January 2003, 15:33
Originally posted by karl_lillevold in the "New A/V Formats" forum
In the big "Play Anything" Media Player test in PC Magazine,
http://www.pcmag.com/article2/0,4149,805233,00.asp
...
For music ( http://www.pcmag.com/article2/0,4149,806392,00.asp ), MP3 and MP3Pro come out on top. RealAudio scores higher than WMA, especially for lower bitrates. Vorbis scores about the same as RealAudio and higher than WMA for low bitrates but much worse for higher bitrates.
I'm a Vorbis fan and am disappointed when testers (especially those with a large audience) insist on encoding audio at a constant bitrate. From the article at the second URL:
We tested each format using three music genres—classical, pop, and rock. We digitally encoded each selection to MP3, MP3Pro, Ogg Vorbis, Real, and WMA formats at a low-bit-rate setting (64 Kbps) and high-bit-rate settings (typically 128 Kbps, although we used 96 Kbps for MP3Pro—the format's maximum bit rate—and 132 Kbps for Real files, which was the closest available setting). The tracks were encoded with constant bit-rate settings.
Aside from low-bitrate streaming and MP3 players of limited ability, I can't understand what usefulness CBR has over VBR, especially at bitrates of 128kbps and higher. Based on my own experience and other tests I've read about and participated in, Vorbis probably would have fared better if the samples were encoded in a "quality" mode (natively VBR).
I'm glad PC Magazine included Vorbis in their tests, but what they tested doesn't reflect what I think is what the majority of users do for their high-bit-rate MP3 and Vorbis encoding.
In the big "Play Anything" Media Player test in PC Magazine,
http://www.pcmag.com/article2/0,4149,805233,00.asp
...
For music ( http://www.pcmag.com/article2/0,4149,806392,00.asp ), MP3 and MP3Pro come out on top. RealAudio scores higher than WMA, especially for lower bitrates. Vorbis scores about the same as RealAudio and higher than WMA for low bitrates but much worse for higher bitrates.
I'm a Vorbis fan and am disappointed when testers (especially those with a large audience) insist on encoding audio at a constant bitrate. From the article at the second URL:
We tested each format using three music genres—classical, pop, and rock. We digitally encoded each selection to MP3, MP3Pro, Ogg Vorbis, Real, and WMA formats at a low-bit-rate setting (64 Kbps) and high-bit-rate settings (typically 128 Kbps, although we used 96 Kbps for MP3Pro—the format's maximum bit rate—and 132 Kbps for Real files, which was the closest available setting). The tracks were encoded with constant bit-rate settings.
Aside from low-bitrate streaming and MP3 players of limited ability, I can't understand what usefulness CBR has over VBR, especially at bitrates of 128kbps and higher. Based on my own experience and other tests I've read about and participated in, Vorbis probably would have fared better if the samples were encoded in a "quality" mode (natively VBR).
I'm glad PC Magazine included Vorbis in their tests, but what they tested doesn't reflect what I think is what the majority of users do for their high-bit-rate MP3 and Vorbis encoding.