WorBry
9th June 2006, 16:01
I'm in the process of trying to clean up some archived Mini-DV footage that was shot (Sony PAL DCR-PC115E, 1.33MP, single HAD CCD) indoors under strong fluorescent lighting and which exhibits the classic 'green haze' effect.
Web searches for a remedy turn up a variety of professional/third party 'color temperature' correction plug-ins for After Effects, and the like, that can do the job (and more), but these software are way beyond my budget. I have a notion that correction (like many color transformations) could be done with existing AVISynth tools but can find nothing on this subject in the forums. I'm wondering if anyone out there has a method or can advise which tools I might try.
More recently, I've been using a video light (Jessops VL35; 35 Watt) under such conditions which helps to reduce the effect, paricularly in combination with a UV lens filter that I normally use outdoors in bright light. However, this still leaves some green haze around the diffuse edge of the video light beam and to avoid this means near blinding the subject matter. I am aware that there are 37mm FL lens filters available and, given that my new apartment is lit entirely with fluorescent spot lights, I am inclined to buy one. There again, I'd be grateful if someone who has used such filters could advise how effective they are. For example, how do such filters perform in combination with a video light - am I likely to get over-saturation of colors etc.
Thanks.
Web searches for a remedy turn up a variety of professional/third party 'color temperature' correction plug-ins for After Effects, and the like, that can do the job (and more), but these software are way beyond my budget. I have a notion that correction (like many color transformations) could be done with existing AVISynth tools but can find nothing on this subject in the forums. I'm wondering if anyone out there has a method or can advise which tools I might try.
More recently, I've been using a video light (Jessops VL35; 35 Watt) under such conditions which helps to reduce the effect, paricularly in combination with a UV lens filter that I normally use outdoors in bright light. However, this still leaves some green haze around the diffuse edge of the video light beam and to avoid this means near blinding the subject matter. I am aware that there are 37mm FL lens filters available and, given that my new apartment is lit entirely with fluorescent spot lights, I am inclined to buy one. There again, I'd be grateful if someone who has used such filters could advise how effective they are. For example, how do such filters perform in combination with a video light - am I likely to get over-saturation of colors etc.
Thanks.