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#1 | Link |
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Registered User
Join Date: Dec 2006
Posts: 5
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How to export for Progressive and Interlaced
I co-own a media productions business and my current client is sending a video were are doing out to their own clients. I am sure that many of the DVDs will be played on a computer though some will probably be played through a regular DVD player.
My question is if there is any way to create a file that looks good on both a progressive and an interlaced monitor. If not, what would be the best way to export? I use Premiere Pro 1.5 and Encore DVD for the disc creation Thanks, Jack Last edited by Ledhed; 16th January 2007 at 04:27. |
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#2 | Link |
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Registered User
Join Date: Dec 2001
Location: Concord, NC
Posts: 942
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Well if your source video is progressive, then you can just export it as progressive and set the mpeg-2 flags to do 3:2 pulldown on playback. I don't know how to do that with encore though. It's probably automatic.
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#3 | Link |
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Registered User
Join Date: Dec 2006
Posts: 5
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I'm not really sure what that means... I have been reading the Adobe primers on compression etc. but have a limited knowledge on the innerworkings of the DV and DVD standard. I can export the AVI as progressive. Is that what you mean? Or are you asking if it was filmed in PS? (Which it wasn't, used a Canon SD DV Optura Xi)
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#4 | Link |
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![]() Join Date: Jan 2002
Posts: 16,643
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#7 | Link |
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Registered User
Join Date: Dec 2003
Location: Poland
Posts: 171
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Almost all software players has somekind of deinterlacing method implemnted so I think I would go for interlaced. That is if your source is interlaced of course.
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(!sig) Last edited by krisq; 17th January 2007 at 16:01. |
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#8 | Link |
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interlace this!
Join Date: Jun 2003
Location: i'm in ur transfers, addin noise
Posts: 4,267
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yep. keep it interlaced unless you absolutely have to deinterlace it. and if you do have to, don't let premiere do it - it'll make it look stairstepped and awful. there's plugins for it that might work better, and if you're feeling adventurous you can use avisynth to do it.
to understand how to work with interlaced footage in premiere, you'll have to understand field order. there's a few resources around about this. basically, if your source is DV it will be bottom-field first (or "lower field", or "field B dominant", or any of the other ways it's referred to that add to the confusion). if you have ex-DVD footage it could be either top-field or bottom-field (usually top-field, but it depends where the source for the DVD came from). you'll have to keep a TV plugged in and watch everything you do for jitters, judders and aliasing. so long as you have an understanding of field order, a decent TV out ability and a TV to preview on, you'll be fine.
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interlace... right or wrong, just deal with it. |
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