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30th April 2018, 20:24 | #21 | Link |
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Yes, this is a very common misconception. It is so common that I've actually seen video where people who don't know any better have done this (repeated frames instead of fields). While you get some judder artifacts when you do telecine correctly, if you instead repeat frames, that judder becomes massively worse because the intentional temporal glitches are done half as often, and across the entire frame.
Repeating fields is actually extraordinarily clever and, in the old CRT-based, continuous scanning system, looked amazingly good. 99.99% of the population never thought twice about how film looked when shown on television. Last edited by johnmeyer; 30th April 2018 at 20:26. Reason: corrected minor mistake, just after posting |
1st May 2018, 03:10 | #22 | Link | |
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Quote:
I'm not sure it is combing as such though. Anyone know what causes that? Is it a chroma subsampling issue when blending interlaced video? There's lots of dot crawl, which seems to be baked in, and a fair amount of rainbowing, but that's another story. I could be wrong, but the Lions Gate promo at the beginning of RoboCop looks like interlaced content resized, similar to the Babylon 5 CGI. If everything following it is progressive, this would be an easy way to fix it. TFM().TDecimate() Trim(205, 0) |
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6th May 2018, 22:36 | #23 | Link | |
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Is it telecine when a 20fps silent film is hard or soft telecined to 29.97fps? Is it telecine when a 25fps PAL source is hard or soft telecined to 29.97fps? I say yes. The Wikipedia seems to agree. |
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