16th March 2017, 18:27
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#11
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Quote:
Originally Posted by CruNcher
x265_Project
did you ever made tests how high the 10->8bit conversion overhead is for an almost perceptual banding free result, especially on high f-stop captured skyboxes internally and where the point of f-stop slope is it makes virtually no difference anymore in overall perception ?
and at which QP this merges currently depending on the overall Preset Setup in x265 or does it explicitly need AQ enabled, and how this shifts between Generations ?
Or do you know some papers this was discussed about in General @ HEVC at conferences primarily maybe by Ateme, Dolby, Technicolor, Sony, Samsung ?
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Uhhh... No.
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