3:2 pulldown vs 2:3 pulldown, vs 3:2 inverse.

[joacim]

I have captured some material for my demo reel and most of the footage had gone through a telecine at some point, but all the material I captured was from a dv tape, and some of the material was shot on dv. My quicktime file consists of the mixture of the said examples. With CCE SP 2.70, what is the appropriate pulldown feature for this situation?(3:2, 2:3, or 3:2 inverse,) If I want the best quality, which should I choose? And currently I have it set up of progressive, but am a little unsure, about whether I need this to be interlaced. Much help appreciated.

Joacim
:)

[Amnon82]

Settings for interlaced in CCE 2.70:

UFF in 2.70 Mode:

If the source is BFF: offsetline=1 top_field_first=1
If the source is TFF: offsetline=0 top_field_first=1

Pulldown is for 23.976 material. Normaly it is 2:3 (http://www.arri.com/infodown/cam/ti/p-1008.pdf)

ref_tc=16777216
24p_to_60i=1
pulldown_detect=1

[drob]

Because you have such mixture its hard to tell what was interlaced what not, generally if you have 29.976 source leave it at that going back to 23.976 source can reduce your quality if not done just right, if space is not an issue on your DVD leave it at 29.976.. if your material is 23.967 apply 2:3 pulldown. if all the material is interlaced, then untick the interlace box, and check the alternative box, if it is progressive, check progressive and ZZ boxes.