ernstblaauw
23rd October 2006, 17:39
Hi,
I made a movie in Premiere Pro 2.0, and wanted to export it to DVD. PPro has an own DVD encoder (MainComcept), but I expected HCenc to be able to make a better quality MPEG2 stream.
So I installed the Debugmode Frameserver, a freeware frameserver for PPro, which makes a signpost file. I can open this in AVIsynth using DirectshowSource() or AVISource() (don't know which method is more reliable).
So I selected the framserver inside PPro. I have there three options for color space: RGB24, RGB32 and YUY12. I don't know the differences but I choose RGB24.
After this, I made an AVS-file with AVIsource() and ConvertToYV12(), so HCenc is able to open the file.
The resulting movie looks great, but I have some questions:
- which method is more reliable? DirectshowSource or AVISource?
- the color in the DVD exported by Mainconcept does not look as vivid as HCenc's. Is this known behaviour? (maybe related to the color space?)
I made a movie in Premiere Pro 2.0, and wanted to export it to DVD. PPro has an own DVD encoder (MainComcept), but I expected HCenc to be able to make a better quality MPEG2 stream.
So I installed the Debugmode Frameserver, a freeware frameserver for PPro, which makes a signpost file. I can open this in AVIsynth using DirectshowSource() or AVISource() (don't know which method is more reliable).
So I selected the framserver inside PPro. I have there three options for color space: RGB24, RGB32 and YUY12. I don't know the differences but I choose RGB24.
After this, I made an AVS-file with AVIsource() and ConvertToYV12(), so HCenc is able to open the file.
The resulting movie looks great, but I have some questions:
- which method is more reliable? DirectshowSource or AVISource?
- the color in the DVD exported by Mainconcept does not look as vivid as HCenc's. Is this known behaviour? (maybe related to the color space?)